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From a special attack that rivals the awesomeness of a super robot move to one of the most ingenious action scenes of the year, I was always impressed. Besides that, every episode had a crowning moment of awesome for one of its characters, and all of those characters etched their names into my heart. The only thing that could’ve been better about Strike Witches 2 is that it could’ve been longer. Instead, I got a show that constantly kicked ass from start to finish and left me begging for more.
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I enjoyed the first series a lot, even if I never thought of it as something special, so I was expecting the same kind of laid-back enjoyment from this. I couldn’t have prepared myself for how much awesomeness would come from season 2 of Strike Witches.
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Posts I did on this anime: Eps 1-6, Episode 7, Episode 20
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The great outweighs the merely good, though, and rewatches should prove vital to the series’ strength. There are definitive god-tier episodes, great ones, a slew of average ones, and a couple of rather poor ones. The only thing holding me at bay with K-On is that not every episode is equally brilliant.
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Add to that some excellent openings and endings, which are vitally important, because while a weak opening or ending can rarely hurt an anime, a strong one can make it all the more legendary. It has an unmistakable stage presence not unlike its own characters, which is no-doubt intentional. K-On is always entertaining, and at times even profoundly emotional. No other studio has the sheer attention to detail that they do, nor the general brilliance in directing.
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Kyoto Animation continues to prove that they’re amongst the best production studios in TV anime. I single them out for their godliness, but that’s not to mistakenly forget that the other actors and their characters are all superb as well. I can’t think of any pair of characters whose interactions are as entertaining as those that Satou Satomi and Toyosaki Aki create in Ritsu and Yui respectively. The dialog and seiyuu performances in this series almost transcend anime as I know it. Posts I did on this anime: Recommendation What the original doesn’t have, however, is one of the best aerial dogfights I’ve seen. The final scene is one of the best emotional climaxes in anime, even if it was already done in the original show. I love the genre, and Nanoha takes everything that makes it great and writes it for an adult audience without losing any of the magic. This film is wildly fun to watch and easily rewatchable, not to mention a perfect excuse to introduce my friends to the wonder of mahou shoujo anime.
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Never has the tale of a girl winning the friendship of her rival looked so god damn good! The Nanoha movie is special not just for being amazing, but for being amazing in replacement of a shitty series, and creating a magnificent springboard into the second season, which it rivals in brilliance (perhaps surpassing it by way of production quality). Mahou Shoujo Lyrical Nanoha The Movie 1st Posts I did on this anime: Episode 1, Episode 2, Episode 3, Eps 4 and 5, Episode 6, On Talent This is the kind of show I’ll still be blogging about years down the line, and I love that, because it’s so much fun to blog. It’s a show that nags at the back of my mind, asking me to watch it again and find the next gem of knowledge or interpretation that’ll make me love it even more. What makes Sora no Woto my favorite anime of 2010 is that there are so many aspects which I adore, and which have kept me rewatching the episodes, finding new things to say or to think about them. I loved it from the first episode, but it constantly found new ways for me to love it-for the art and animation, the impressively developed characters, engrossing world, fantastic directing, and consistently interesting episodic plots-tied together by an even-more-interesting dramatic plot. Some of the most gorgeous art this side of Yoshitoshi ABe characters who’re instantly endearing and have a natural chemistry an engaging central narrative that pushes it one step farther than shows of its like-Sora no Woto wasn’t only great, but surprising.